「有力」与「无意」——论中国诗学中「风」和「水」的意象

Youli and Wuyi: On Images of Wind and Water in Chinese Poetics

孙少文伉俪人文中国研究所
2024-4-12 │ 89 Mins

The Emergence of Composite Text-Image Art in Ming-Qing Period Painting

Mr. Simon Suen and Mrs. Mary Suen Sino-Humanitas Institute
2024-3-27 │ 95 Mins

Did Zhuangzi Criticize Mengzi?

Jao Tsung-I Academy of Sinology
2024-3-22 │ 79 Mins

贵霜佛教建国信仰与佛教造像

Buddhist Kingship and Buddhist Art in the Kushān Empire

饶宗颐国学院
2024-3-21 │ 106 Mins

〈駉〉颂新诠——两周马学知识、「四牡一乘」的选马原则及《诗经》颂体共性发微

A New Interpretation of the Eulogium "Stout" (Mao #297 "Jiōng" 駉), with the Equine Knowledge regarding Color Breeds and Selection Criteria for Quadriga-Driving Horses in the Zhou Dynasty, and the Commonalities among the Eulogia in the Classic of Odes Explicated

饶宗颐国学院
2024-3-19 │ 112 Mins

Data Visualization: Getting Started with Tableau

Library
2024-3-15 │ 125 Mins

从另一个角度重估苏东坡

Rethinking Su Dongpo from a New Perspective

孙少文伉俪人文中国研究所
2024-3-8 │ 83 Mins

心学《易》钩沉

Exploring the Yijing through Mind-Heart Learning

饶宗颐国学院
2024-3-4 │ 86 Mins

壞駱駝談狂人、情人和死人

A Rogue Camel's Discourse : on Madmen, Lovers, and the Dead

圖書館
2024-3-4 │ 79 Mins

Community Interpreting in Australia: Policies, Structures, Training, Certification, Industry and Client Needs, and the Profiles of Contemporary Community Interpreters

Centre for Translation
2024-2-20 │ 117 Mins