This paper introduces a number of contemporary collaborative painting and drawing projects by way of a 'sampler' approach which demonstrates the range of such work and the variety of processes by which it may be generated. Drawing on insights derived from Archer's own experience as a participant-observer of collaborative painting in projects such as 'Reciprocal Interference', 'Macao-Elsewhere' and 'Elsewhere-Home' as well as the insights of artists she has interviewed, the paper engages the following questions: Politically, emotionally, creatively what does it mean to evolve one's art practices around work with others and in processes which (with or without words) might be regarded as dialogic? Are finished collaborative paintings and drawings qualitatively different entities from individually-produced works, requiring different modes of apprehension and theorisation? [Go to the full record in the library's catalogue]
This video is presented here with the permission of the speakers.
Any downloading, storage, reproduction, and redistribution are strictly prohibited
without the prior permission of the respective speakers.
Go to Full Disclaimer.
Full Disclaimer
This video is archived and disseminated for educational purposes only. It is presented here with the permission of the speakers, who have mandated the means of dissemination.
Statements of fact and opinions expressed are those of the inditextual participants. The HKBU and its Library assume no responsibility for the accuracy, validity, or completeness of the information presented.
Any downloading, storage, reproduction, and redistribution, in part or in whole, are strictly prohibited without the prior permission of the respective speakers. Please strictly observe the copyright law.