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Praxis of creativity mining in Tibetan buddhism

Academy of Visual Arts (November 22, 2012)
1580









CONFERENCE / SYMPOSIUM : International Conference on Research Creativity : Praxis

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Praxis of creativity mining in Tibetan buddhism
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Fair play : Contemporary collaborative painting
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Art machines, cultural probes and academic practices
Old media, new media and the organic body
Poetry and translation : Collaborative practice and creative outcome
New maps for new spaces : The poetics of creative knowledge
Theory as practice and practice as theory : Praxis and the PhD in Art
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Image writing : Research on the expressive and communicative power of art
MAJOR SPEAKER : Ng, Keng Po Roger
LENGTH : 45 min.
ACCESS : Open to all
SUMMARY : In recent years, the Tibetan Buddhism gained a worldwide attention because of its systematic representation of the theory of consciousness, which is the main research area of the philosophy of mind and neuroscience. Many researchers understand that Tibetan Buddhism is certainly a potential source of inspiration for artworks. Most importantly, many researchers wish to reveal the creativity of human beings by studying the human consciousness. There are two aspects of the Tibetan Buddhism, namely the sutra and the practice. For this reason, some researchers attempt to read the sutra and to practice the Tibetan meditation. In this article, some preliminary knowledge of Tibetan Buddhism and a case study were presented. The praxis of the creativity mining in Tibetan Buddhism and a proposal of bridging such praxis from the theory would be presented.  [Go to the full record in the library's catalogue]



  ●  Persistent link: https://hkbutube.lib.hkbu.edu.hk/st/display.php?bibno=b3318446
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