民國時期，尤其是二、三十年代，情書的整理發表、 創作與翻譯進入一個繁榮期：不少文學名家，甚至一些想要揚名的文學新人，先後出版他們與戀人的通信，或創作情書體的小說，或翻譯國外名人撰寫的情書。這不僅預示著情書在文學場中地位的確立，而且表明情書已成為不同行動者競先爭奪的有價值的資源。此次講座通過梳理情書在中國文學場中的興起情況及由它形成的張力關係，以茅盾翻譯奧維德（Ovid）的幾篇情書為例，來闡述場域張力怎樣作用於譯者的翻譯策略。 [Go to the full record in the library's catalogue]
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