Indochina has been abundantly represented in an extensive French colonial photographic and cinematographic archive. The political context for colonial Vietnam has served as an important test case for population-centric French counterinsurgency tactics of military and social pacification. This paper examines how an ethnographically conceived strategic notion of milieu social relied upon a documentary aesthetic register developed in early photographic and postcard collections in relation to French colonial educational cinema during the interwar period. [Go to the full record in the library's catalogue]
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